The summer of 2020 saw a resurgence in the promotion and consumption of antiracist literature. It was a time when there was a heightened call to read the works of Black authors, especially those addressing the Black experience. Director Cord Jefferson makes his feature debut with “American Fiction,” adapted from Percival Everett’s novel “Erasure,” delving into the complexities and limitations of white interest in Black narratives.
Thelonious “Monk” Ellison (played by Jeffrey Wright) is an author and college professor, struggling to gain recognition for his work. Feeling overshadowed by the sudden fame of Sintara Golden (played by Issa Rae), a Black author whose novel focuses on inner-city Black women, Monk decides to craft a satirical novel titled “My Pafology” under the pseudonym Stagg R. Leigh. Intending it as a critique of the publishing industry’s expectations of Black stories, Monk’s manuscript unexpectedly garners significant attention, leading to a series of events that challenge his principles and personal relationships.
“American Fiction” offers a thought-provoking exploration of identity and authenticity, although at times it can be heavy-handed in its approach. The film’s strength lies in its central thesis, which prompts reflection on the commodification of Black narratives. However, some moments feel forced, detracting from the overall authenticity of the narrative.
Amid Monk’s struggle for recognition, the film also delves into the dynamics of his family, adding depth to his character arc. Sterling K. Brown delivers a compelling performance as Monk’s brother, Clifford, exploring themes of Black masculinity and familial relationships. While Monk’s story takes center stage, the film makes efforts to flesh out supporting characters like his girlfriend Coraline (played by Erika Alexander) and his sister Lisa (played by Tracee Ellis Ross), though they often serve more as plot devices than fully realized characters.
Jeffrey Wright delivers a nuanced portrayal of Monk, capturing his internal conflict and emotional depth. Despite Monk’s flaws, Wright makes him a compelling and relatable protagonist, whose frustrations resonate with audiences.
While “American Fiction” falters in its final act with a somewhat underwhelming resolution, its exploration of themes surrounding Black art and life remains poignant. Jefferson’s film serves as a reminder of the importance and validity of Black narratives, while also critiquing the institutional barriers that limit their expression.
Now playing in theaters.