A Forgettable Addition to Netflix’s Catalog
Christy Lemire’s review of the film “Lift,” dated January 12, 2024, paints a picture of a generic and forgettable action flick, living up to its uninspiring title. Positioned as another glossy, star-studded creation on Netflix’s extensive roster, “Lift” lacks the captivating flair of “Red Notice” but shares the hollow essence found in films like “The Gray Man.”
Director’s Track Record: F. Gary Gray’s Hit-and-Miss
F. Gary Gray, a seasoned director known for hits like “Set It Off” and “The Italian Job,” falls short of his previous successes with “Lift.” While the film explores the classic theme of a group of con artists attempting a daring heist, the characters’ lack of depth, penned by Daniel Kunka, leaves viewers struggling to invest in their success. Additionally, the special effects fail to bridge the gap between fiction and reality, creating an experience that often feels more like a detached video game.
Plot Overview: A Familiar Heist with Little Substance
The narrative revolves around a team of high-tech thieves led by Kevin Hart’s character, Cyrus. Tasked with stealing gold bars from a commercial airliner on its way from London to Zurich, the film attempts to break away from Hart’s usual fast-talking persona. However, the romantic lead angle lacks depth, and the chemistry between Cyrus and Interpol agent Abby Gladwell (played by Gugu Mbatha-Raw) feels forced. Abby reluctantly recruits Cyrus and his team to prevent a gold transfer orchestrated by the villainous Jean Reno, who aims to profit from ensuing disasters.
Character Dynamics: Superficial Roles in European Backdrops
While each character has a specific role in the heist, their development remains superficial. The film’s settings, featuring European destinations like Venice, London, and Brussels, lack distinctiveness, causing them to blend together. The banter among characters in high-rise condos and warehouses feels contrived, with the exception of Billy Magnussen’s safecracker character, injecting a delightful and goofy element reminiscent of Brad Pitt in “Burn After Reading.”
Visual Style: Repetitive Editing Tricks and Wearisome Action
“Lift” heavily relies on bland and zippy editing tricks, including sped-up sequences, zooms, and montages. However, these soon become repetitive, contributing to the wearisome nature of the overall viewing experience. The numerous fistfights on airplanes fail to sustain excitement, further adding to the film’s monotony.
Conclusion: Mindless Entertainment for a Different Setting
Despite its shortcomings, Lemire suggests that “Lift” might find a place as mindless entertainment, particularly during a flight when there’s little else to do. The film, now available on Netflix, attempts high-flying ambitions but ultimately lands in the realm of forgettable heist thrillers.