Out of this World: A Fresh Filmmaking Approach to a Conventional Story
In the film “Out of this World,” director Marc Fouchard takes an unconventional approach to storytelling, presenting a frustratingly conventional plot through innovative filmmaking techniques. While the film may not offer anything groundbreaking in terms of content, its unique style and presentation make it a somewhat intriguing experience worth exploring.
An Unorthodox Tale
The story revolves around Leo, a homeless serial killer played by Kevin Mischel. Leo struggles with communication, particularly with women, and finds solace in music, dance, and composing. His path crosses with Amelie, a deaf dancer portrayed by Aurelia Poirier, and his fixation on her leads to dire consequences for both of them.
Although “Out of this World” may not resonate with most viewers, and may even be outright disliked, I find myself leaning towards a more positive perspective. However, it is evident that the film fails to break free from the confines of a well-trodden serial killer narrative. The familiar tropes and themes presented throughout the movie offer little in terms of genuine surprises.
A Lack of Originality
As someone who is already skeptical of deranged killers as protagonists, I struggle to fully appreciate a film that brings nothing new to the table. Even though Kevin Mischel delivers an exceptional performance, evoking a silent, uncomfortable, and subtly vulnerable demeanor, it reminds me of other fictional psychopaths who share similar mannerisms.
One saving grace of “Out of this World” is its unique storytelling approach, which adds an extra layer of intrigue. Coban Beutelstetter’s editing, although divisive, kept me engaged throughout the film. The editing style provides glimpses into Leo’s thought process, blurring the lines between reality and fantasy.
A Peek into Léo’s Mind
Through imaginary dance sequences and juxtapositions of sound and silence, the editing delves into Leo’s psyche. In one scene, Leo envisions an intimate dance with someone he had previously encountered, which quickly escalates into aggression and violence. This portrayal showcases his yearning for gentle intimacy, which remains elusive even within his own fantasies.
The film hints that Leo’s score and compositions serve as a representation of his own perception of his work. It raises the possibility that he may be an inept composer who hears his compositions in a manner that aligns with his desires. The portrayal of Leo engaging in internal arguments, reminiscent of Gollum from “The Lord of the Rings,” suggests the existence of a potential split personality.
Aurelia Poirier’s portrayal of another character in Leo’s life adds another layer of intrigue, prompting questions about the significance of these women and their influence on his worldview. The film uses abrupt cuts during the killing scenes, interrupting seemingly pleasant moments to emphasize the disruptive nature of Leo’s psychosis on his attempts to interact “normally.”
The Visual Experience
The moody and intimate compositions, combined with Pascal Boudet’s cinematography, create an atmospheric visual journey in “Out of this World.” Despite relying on clichés that have been seen time and time again, the film presents them in a manner that keeps the viewer second-guessing what they witness. Even seemingly black-and-white scenes become shades of gray, adding depth to the overall viewing experience.
If these editing techniques had been applied to a slightly more original story, “Out of this World” could have truly stood out. While it may not be the most remarkable filmmaking I have encountered, it does offer enough intrigue to leave a lasting impression. However, I must emphasize that these moments of fascination may not be enough to salvage the film as a whole. It may hold your attention for an hour and a half, but its impact may fade when considering the bigger picture.
Conclusion
“Out of this World” takes an unconventional approach to a conventional story, employing innovative filmmaking techniques to present a familiar narrative. While the film offers a somewhat intriguing experience through its unique editing and visual style, it ultimately falls short of delivering a truly original and captivating storyline. It may appeal to viewers who enjoy analyzing the nuances of filmmaking, but its overall impact may be fleeting.
Frequently Asked Questions
1. Is “Out of this World” a horror film?
No, “Out of this World” is not strictly a horror film. It blends elements of psychological thriller and drama to explore the perspective of a homeless serial killer and his fixation on a deaf dancer.
2. Does the film provide a deep exploration of the protagonist’s background?
Unfortunately, the film only offers limited insights into the protagonist’s background. It primarily focuses on his struggles with communication and his artistic inclinations, leaving much to the viewer’s interpretation.
3. How does the film stand out among other serial killer stories?
While the content of “Out of this World” may be familiar to fans of the genre, it distinguishes itself through its unique editing style and visual presentation. The film’s use of sound, silence, and unconventional cuts adds an extra layer of intrigue to the storytelling process.
4. Can the film be enjoyed by viewers who are not typically fans of the serial killer genre?
While the film may not necessarily appeal to viewers who are not fans of the genre, its unconventional approach and thought-provoking editing techniques might still offer some entertainment value. However, it is worth noting that the film does not deviate significantly from the usual tropes associated with stories of this nature.
5. What is the release date of “Out of this World”?
“Out of this World” is set to be released on digital HD in the UK on December 5, 2022, by Bulldog Film Distribution.