Nathan Fillion’s undeniable cross-generational appeal and impeccable comic timing take center stage in one of October’s standout TV shows. While not as unconventional as some, ABC’s new police procedural dramedy, “The Rookie,” showcases Fillion’s talents and surprises audiences by delving into unexpected drama beneath its seemingly lighthearted exterior.
Fillion, known for his animated cameos in Netflix’s hilarious “Big Mouth,” where he plays a fictionalized version of himself, also takes on the lead role in “The Rookie.” The series, created by Castle veteran Alexi Hawley, follows John Nolan, the proprietor of a small-town Pennsylvania construction company. After a life-altering experience during a bank robbery and the challenges of divorce, Nolan embarks on a midlife crisis that leads him to pack up and move to Los Angeles, where he becomes the LAPD’s oldest rookie.
The show’s premise, while thin, has the potential for improvement, with Fillion delivering what fans love about him to satisfy even the most ardent “Castle” enthusiasts. However, the reasons behind Nolan’s shift to law enforcement and his move to L.A. remain somewhat unclear, adding an element of mystery to the narrative.
“The Rookie” attempts to balance being both a star vehicle for Fillion and an ensemble piece. In the pilot, the introduction of three rookie cops—Nolan, Jackson West, and Lucy Chen—brings a mix of characters and plotlines that, while not fully establishing a rhythm, sets the stage for a potentially rich supporting universe. The series explores the rookies’ training day, introducing them alongside seasoned training officers, including Eric Winter’s unsavory Bradford and the competitive duo of Lopez and Bishop, played by Alyssa Diaz and Afton Williamson, respectively.
While the pilot struggles to find its footing with numerous characters and plotlines, the potential for improvement and the allure of Nathan Fillion’s presence make “The Rookie” a show worth keeping an eye on. As the series unfolds, it remains to be seen whether it can strike the right balance between Fillion’s star power and a compelling ensemble narrative.